The band experimented with a psychedelic sound on Satanic Majesties, incorporating unconventional elements such as Mellotron, sound effects, string arrangements, and African rhythms. The band produced the album themselves as their manager/producer Andrew Loog Oldham had departed. The prolonged recording process was marked by drug use, court appearances, and jail terms by members of the band. The original LP cover features a lenticular image by photographer Michael Cooper.
Recording of Their Satanic Majesties Request began just after the release of Between the Buttons on 20 January 1967.Because of court appearances[6] and jail terms, the entire band was seldom present in the studio at one time, making recording of the album lengthy and disjointed. Band members frequently arrived with guests in tow, further interfering with productivity. One of the more level-headed members of the band during this time, Bill Wyman, wary of psychedelic drugs, wrote the song "In Another Land" to parody the Stones' current goings-on.[5] In his 2002 book Rolling with the Stones, Wyman describes the situations in the studio:
3D Album projects for After Effects Disc 1, 2, 3, 4 (2011)
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The Stones experimented with many new instruments and sound effects during the sessions, including Mellotron, theremin, short wave radio static, and string arrangements by then-future Led Zeppelin bassist John Paul Jones.[5] Their producer and manager Andrew Loog Oldham, already fed up with the band's lack of focus, distanced himself from them following their drug bust and finally quit, leaving them without a producer. As a result, Their Satanic Majesties Request would be the Stones' first self-produced album. Mick Jagger later opined this was not for the best, while expressing disintegration for some of the tracks.[11]
The information density of the DVD format was limited by the wavelength of the laser diodes used. Following protracted development, blue laser diodes operating at 405 nanometers became available on a production basis, allowing for development of a denser storage format that could hold higher-definition media, with prototype discs made with diodes at a slightly longer wavelength of 407 nanometers in October 1998.[13][14] Sony commenced two projects in collaboration with Panasonic, Philips, and TDK,[15] applying the new diodes: UDO (Ultra Density Optical),[16] and DVR Blue (together with Pioneer),[17] a format of rewritable discs that would eventually become Blu-ray Disc (more specifically, BD-RE). The core technologies of the formats are similar. The first DVR Blue prototypes were unveiled by Sony at the CEATEC exhibition in October 2000.[18] A trademark for the "Blue Disc" logo was filed on February 9, 2001.[19] On February 19, 2002, the project was officially announced as Blu-ray Disc,[20][21] and Blu-ray Disc Founders was founded by the nine initial members.
The first BD-ROM players (Samsung BD-P1000) were shipped in mid-June 2006, though HD DVD players beat them to market by a few months.[31][32] The first Blu-ray Disc titles were released on June 20, 2006: 50 First Dates, The Fifth Element, Hitch, House of Flying Daggers, Underworld: Evolution, xXx (all from Sony), and MGM's The Terminator.[33] The earliest releases used MPEG-2 video compression, the same method used on standard DVDs. The first releases using the newer VC-1 and AVC formats were introduced in September 2006.[34] The first movies using 50 GB dual-layer discs were introduced in October 2006.[35] The first audio-only albums were released in May 2008.[36][37]
Following these new developments, on February 19, 2008, Toshiba announced it would end production of HD DVD devices,[53] allowing Blu-ray Disc to become the industry standard for high-density optical discs. Universal Studios, the sole major studio to back HD DVD since its inception, said shortly after Toshiba's announcement: "While Universal values the close partnership we have shared with Toshiba, it is time to turn our focus to releasing new and catalog titles on Blu-ray Disc."[54] Paramount Pictures, which started releasing movies only in HD DVD format during late 2007, also said it would start releasing on Blu-ray Disc. Both studios announced initial Blu-ray lineups in May 2008. With this, all major Hollywood studios supported Blu-ray.[55]
Shortly after the "format war" ended, Blu-ray Disc sales began to increase. A study by the NPD Group found that awareness of Blu-ray Disc had reached 60% of households in the United States. Nielsen VideoScan sales numbers showed that for some titles, such as 20th Century Fox's Hitman, up to 14% of total disc sales were from Blu-ray, although the average Blu-ray sales for the first half of the year were only around 5%. In December 2008, the Blu-ray Disc version of Warner Bros.' The Dark Knight sold 600,000 copies on the first day of its launch in the United States, Canada, and the United Kingdom.[60] A week after the launch, The Dark Knight BD had sold over 1.7 million copies worldwide, making it the first Blu-ray Disc title to sell over a million copies in the first week of release.[61]
The minimum "spot size" on which a laser can be focused is limited by diffraction and depends on the wavelength of the light and the numerical aperture of the lens used to focus it. By decreasing the wavelength, increasing the numerical aperture from 0.60 to 0.85, and making the cover layer thinner to avoid unwanted optical effects, designers can cause the laser beam to focus on a smaller spot, which effectively allows more information to be stored in the same area.[108] For a Blu-ray Disc, the spot size is 580 nm.[109] This allows a reduction of the pit size from 400 nm for DVD to 150 nm for Blu-ray Disc, and of the track pitch from 740 nm to 320 nm.[108] See compact disc for information on optical discs' physical structure. In addition to the optical improvements, Blu-ray Discs feature improvements in data encoding that further increase the amount of content that can be stored.[110]
This month Universal Music is releasing THIN LIZZY's Live At The BBC Box Set, featuring an extremely limited eight disc (seven CDs plus NTSC/Region 0 DVD) collection of rare recordings. According tom a press release, "this release is collated from all of the BBC owned Lizzy recordings that still exist in the archive and charts the inexorable rise of the band: from the first steps as a three piece on the Decca label, to the glory days as one of the greatest live acts of all time. This collection brings together a raft of sessions and live recordings form throughout the band's career including the last concert with Phil Lynott from the Reading festival in 1983. Included also is a DVD of the bands sought after appearances on Top of the Pops and the Old Grey Whistle Test a well as concerts from throughout the band's career. This is a first for the band as these recordings have never been available in one place before. With comprehensive notes by Malcolm Dome who tells the story of the bands history at the BBC."
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